Biography
1935	Born	Chemainus, B.C.
1954–58	Graduated with honours in painting, drawing and ceramics	Vancouver School of Art
1958–59	Graduated, Faculty of Education, UBC with B.C. Teaching Certificate
1961–64	Studied ceramics under Bernard Leach	St.Ives, Cornwall, England

Solo Exhibitions
2011	"Taxonomies"	Western Front, Vancouver
2011	"Glenn Lewis - Signs of Life"	Chernoff Fine Art, Vancouver
2010	"FLAKEY: The Early Works of Glenn Lewis 1965 – 1972"	Presentation House Gallery, North Vancouver. Catalogue
2008	“Cézanne’s Eyes and Hands,” includes the video installations “I Won’t Take Your Hand Monsieur Manet, I Haven’t Washed in Eight Days” and “Purloined,” with sculptures and photographs	Oboro, Montreal
2005	“Walls Graphs,” remounting of installation from 1969	Belkin Satellite Gallery, Vancouver. Curated by CAUSA.
2005	“Stucco Floor Divided,” remounting of installation from 1969	Belkin Satellite Gallery, Vancouver. Curated by CAUSA.
1993	“Utopiary, Metaphorest and Bewilderness: Selected Works from 1967-1993,” includes the installations “Bower” and “Signscapes” in park near gallery	Burnaby Art Gallery. Catalogue.
1986	Photographs (with Geoffrey James)	Coburg Gallery, Vancouver
1984	Photographs and prints, “Myth-Garden-Paradise”	Sechelt Art Centre, Sechelt, B.C.
1983	Photographs and prints	La Chartreuse/CIRCA, Villeneuve-les-Avignon, France
1980	Photographs, “Journey Through an Earthly Paradise” (with Taki Bluesinger)	Western Front Gallery, Vancouver
1979	Photographs, “Journey Through an Earthly Paradise” (with Taki Bluesinger)	A Space Gallery, Toronto
1979	Prints, “Survival Paradise”	Nova Gallery, Vancouver
1978	"Bewilderness, the Origins of Paradise"	Vancouver Art Gallery
1975	Collages, “New York Corres Sponge Dance School of Vancouver Reunion”	A Space Gallery, Toronto
1970	Sculpture, “8 Closets”	Vancouver Art Gallery
1969	“Wall Graphs”	Ace Gallery, Vancouver
1968	Sculptures	Douglas Gallery, Vancouver
1965	Ceramics	Bau Xi Gallery, Vancouver

Group Exhibitions
2011	"We Give a Shit Because We Care"	Unit Pitt Gallery, Vancouver
2011	"Mobilicity"	Trench Contemporary Art, Vancouver
2011	"from the collection Unreal"	Vancouver Art Gallery
2010–12	“Traffic – Conceptual Art in Canada 1965 – 1980,” includes the film installations “Blue Tape Around a City Block” (1969), and “Forest Industry” (1970)	Anna Leonowens Gallery, Dalhousie Art Gallery, MSVU Art Gallery and Saint Mary's University Art Gallery, Halifax, Justina M. Barnicke Gallery, Toronto, Art Gallery of Alberta, Edmonton, Leornard & Bina Ellen Art Gallery, Concordia University, Montreal, Vancouver Art Gallery. Catalogue.
2010	“Recipes for an Encounter,” including the video “Japanese Pickle”(1969)	Dorsky Gallery / Curatorial Programs, Long Island City, NY, curated by Berin Golonu & Candice Hopkins.
2010	“to show, to give, to make it be there: Expanded Literary Practices in Vancouver: 1954 -1969”	Simon Fraser University Gallery, Burnaby, curated by Michael Turner. Catalogue.
2009	“Ruins in Process,” A website as exhibition, on the art in Vancouver in the 60s and 70s	A collaborative project from the Morris and Helen Belkin Art Gallery, UBC and grunt gallery, Vancouver.
2007	“The Performed Object: Against a Pathetic Fallacy,” part of LIVE Performance Art	Biennale, Vancouver
2005–06	“Intertidal: Vancouver Art & Artists,” includes the film “Blue Tape Around a City Block”	MuHKA Museum of Contemporary Art, Antwerp, Belgium, curated by Dieter Roelstrete and Scott Watson. Catalogue.
2004	“Thrown: Influences and Intentions of West Coast ceramics”	Morris and Helen Belkin Art Gallery, UBC, Vancouver.
2004	“Eternal Network – Videos From the Western FrontArchives 1973 – 2001”	Videographe, Montreal; Video Pool, Winnipeg; Western Front, Vancouver and at a number of locations internationally. Catalogue in English, French and Japanese.
2003	“Test Kitchen,” includes video tape “Chinese Rice Garden”	Belkin Satellite, Vancouver.
2002	“New Media, Vancouver Art from the Sixties and Seventies”	Gallery, Ceperley House, City of Burnaby. Curated by Glenn Lewis.
2001	“Playing With a Full deck,” includes a playing card.	grunt gallery, Vancouver
2000	“Canoes: The Shape of Success,” includes a photograph of Marilyn Monroe	National Museum of Science and Technology, Ottawa
2000	“Utopiary,” includes “The Problem of Nature”	Burnaby Art Gallery
1999 – 2000	A set of plates for the Emily Carr Institute of Art + Design, exhibited on Robson St and at the Canadian Craft Museum, Vancouver.
1999	“Out of This Century,” Sixties Section, curated by Douglas Coupland	Vancouver Art Gallery
1999	“Making it New, The Big Sixties Show,” includes live cow.	Glenbow Museum, Calgary; Art Gallery of Windsor. Catalogue.
1999	“Last Tangle in Paris,” mailing invitation for “Canada Trajectories” (1973), curated by Michael Morris and Sharla Sava	Morris and Helen Belkin Art Gallery, UBC, Vancouver
1998	“Home Base”	Kamloops Art Gallery
1996	“Transient Moments: Vancouver and the Performance Photograph,” includes lent photographs	Presentation House Gallery, North Vancouver
1996	“The Culture of Nature,” including photographs of Marilyn Monroe.	Kamloops Art Gallery
1996	Exhibition of recent acquisitions, including “Tying up the Critics” (1972)	Morris and Helen Belkin Art Gallery, UBC, Vancouver
1996	An exhibition of ceramics from the Canada Council Art Bank, City of Ottawa	Karsh-Masson Gallery
1995	“Managing: Documents 1967-1974”	Art Metropole, Toronto
1995	“World Tea Party”	Presentation House Gallery, North Vancouver. Curated by Brian Mulvihill, Daniel Dion and Su Schnee.
1995	“Vancouver 1965-1975: Context and Influences”	Vancouver Art Gallery
1995	“The Intermedia Society”	Art Metropole, Toronto
1994	“64 - 94 Contemporary Decades”	Charles H. Scott Gallery, Emily Carr Institute of Art and Design, Vancouver. Catalogue.
1993	Group exhibition including edition of six Marilyn Monroe photographs published by Prior Editions, Prior Editions, Vancouver. 1993 “Vancouver Drawing: Working Documents,” includes two collaborations with Zainub Verjee and Brice MacNeil.	Artspeak, Vancouver.
1993	“50/50,” a benefit exhibition sale	Pitt Gallery, Vancouver
1992	“The Grand Western Canadian Screen Shop,” an exhibition of the prints produced at the Screen Shop in Winnipeg	Mackenzie Art Gallery, Regina. Catalogue.
1991	“Private Addresses,” an on-site exhibition of installations, including “Application of Development” at various locations in Vancouver, produced by Association of Noncommercial Culture.
1987	“From Sea to Shining Sea,” includes large marble sculpture “Classical Toy Boat”	Power Plant, Harbourfont Toronto. Catalogue.
1987	“The Influence of Bernard Leach”	Pro Art, St. Louis, Missouri. Catalogue.
1986	“Dog Days”	Pitt International Gallery, Vancouver.
1986	“Making History - Recent Art of the Pacific West”	Vancouver Art Gallery
1983	“Western Front Archaeology”	Western Front, Vancouver
1983	“Museums by Artists”	Art Gallery of Ontario, Toronto; Musee d'art contemporain, Montreal. Book.
1983	“Art in Vancouver 1931 - 1983”	Vancouver Art Gallery. Catalogue.
1983	“October Show”	Warehouse on Hamilton St., Vancouver. Catalogue.
1983	“The Growth Years”	Charles H. Scott Gallery, Emily Carr College of Art, Vancouver
1983	“New Works in Holography”	A Space, Toronto
1983	“The Great Western Canadian Screen Shop - A Fifteen Year Survey 1968 – 1983”	Gallery 1.1.1., School of Art, University of Manitoba, Winnipeg
1983	Photographic works	Shell Gallery, Calgary
1980 – 83	“Paradise/Le Paradis,” Photo Gallery	National Film Board, Ottawa; Art Gallery of Peterborough; Canada House Gallery, London; Owens Art Gallery, Sackville, New Brunswick; Mount St.Vincent University Art Gallery, Halifax; Saidye Bronfman Centre, Montreal; Canadian Cultural Centre, Paris. Catalogue.
1980	International Mail Art Exhibition	Virginia Polytechnic Institute and State University, Blacksburg, Virginia
1980	Exhibition of Canadian video tapes, including screening of the video “We All Sing the Same Song”	Sony Tower Building, Osaka; Zebra House, Sapporo and Tokyo
1980	“Architectural References,” includes the prints “Survival Paradise”	Vancouver Art Gallery. Catalogue.
1980	“Yesterday and After / Hier et Apres,” includes installation “Pairidaeza”	Montreal Museum of Fine Arts. Catalogue.
1983	“Western Front Exhibition”	Kunstlerhaus, Stuttgart
1983	“Artworks in the Gardens”	Royal Botanical Gardens, Art Gallery of Greater Hamilton
1982	“True Dough Rococco”	London Regional Art Gallery, London, Ontario
1981	“Paper Works”	Robson Square Media Centre, Vancouver
1981	International Federation of Landscape Architects Congress, includes garden photographs and texts	UBC, Vancouver
1979 – 81	“Art and Correspondence from the Western Front”	Vehicule, Montreal; Confereration Art Centre, Charlottetown; Dalhousie University Art Gallery, Halifax; A Space Gallery, Toronto; Art Gallery of Greater Hamilton; Nickel Art Museum, Calgary; Open Space Gallery, Victoria. Catalogue.
1979	Video Free America, includes screening of video “We All Sing the Same Song”	San Francisco
1979	Rubber Stamp Exhibition	Apropos Gallery, Lucerne, Switzerland
1979	International Postal Art Exhibition	Center/Gallery, Chapel Hill, North Carolina
1979	Mail art exhibition and book	Studio 46 Piergiorgio Firinu, Torino, Italy
1978 – 1979	“Other Realities - The Legacy of Surrealism in Canadian Art”	Agnes Etherington Art Centre, Queens University, Kingston, Ontario; Canada House Gallery, London; Canadian Cultural Centre, Paris.
1978	Fifth NetworkVideo Conference, includes screening of the video “We All Sing the Same Song”	Toronto
1978	Malaspina Print Exhibition	Helen Pitt Gallery, Vancouver
1978	“The Human Image”	The Artist’s Gallery, Vancouver
1978	“Input, First International Public Television Screening Conference,” includes screening of the video “We All Sing the Same Song”	Milan
1978	“Rolling Landscape Show”	T.T.C. Subway car no. 5780, Nightingale Arts Council, Toronto
1977	Western Front group show	Open Space, Victoria
1977	Western Front/Pumps exchange exhibition	Pumps, Vancouver
1977	Vancouver Art Gallery Extension Department B.C. travelling exhibition from the civic collection.
1976	“West Coast Waves”	Winnipeg Art Gallery
1976	“Celebration of the Body,” organized by the N.E. Thing Co.	Agnes Etherington Art Centre, Kingston, Ontario
1976	“The Last Correspondence Show”	California State University Art Department, Sacramento, California
1976	“Canadada Postcards”	University of Manitoba Gallery, Winnipeg
1976	“Bated Breath”	Fine Arts Gallery, UBC, Vancouver
1976	“International Postcard Show”	Arizona State University Art Department Gallery, Tempe, Arizona
1975	“B.C. Sculptors”	Vancouver Art Gallery. Travelling exhibition.
1975	“A Pictorial History of the World”	Kemper Gallery, Kansas City Art Institute
1975	“Current Energies - British Columbia 75”	Saidye Bronfman Centre, Montreal
1975	“Chairs”	Art Gallery of Ontario, Toronto
1974	“Open Encounter on Video”	Institute of Contemporary Arts, London; Place Cardin, Paris
1974	“Image Bank Postcard Show”	and/or Gallery, Seattle
1974	“Project 74,” includes screening of the video “Hollywood Decca Dance”	Kolnischer Kunstverein, Koln, Germany
1974	“Artists of the Stamps”	Simon Fraser University Art Gallery, Vancouver
1974	“Surfacing on the Subliminal,” includes material from Hollywood Decca Dance	Western Front, Vancouver
1973	“Traces”	Burnaby Art Gallery, Burnaby, B.C.
1973	“Canada Trajectoires 73,” includes N.Y. Corres Sponge Dance School of Vancouver material from correspondence art event	Musee d'Art moderne de la Ville de Paris, Paris. Catalogue.
1972	“Art Probe,” includes books of material from New Era Social Club	Vancouver Art Gallery
1971	“Image Bank Postcard Show,” includes one card and two others in collaboration with Michael Morris	Fine Arts Gallery, UBC, Vancouver
1970	“B.C. Almanack”	National Film Board, Ottawa. Book.
1970	“Realisms,” includes live cow, in collaboration with Michael Morris	Montreal Museum of Fine Arts, Montreal; Art Gallery of Ontario, Toronto.
1970	“Art in the Mind”	Allen Art Museum, Oberlin College, Ohio.
1970	“Intermedia Exhibition & 9 Evenings of Performances”	Vancouver Art Gallery
1969	“Intermedia Sculpture Exhibition”	Art Gallery of Greater Victoria
1969	“New Art of Vancouver 1969”	Newport Harbor Art Museum, Balboa, California; Art Gallery, University of California, Santa Barbara. Catalogue.
1969	“Intermedia Exhibition - Electrical Connection”	Vancouver Art Gallery
1969	“Six Man Show”	Douglas Gallery, Vancouver
1969	“Across the Border”	Henry Gallery, University of Washington, Seattle
1968	“Younger Vancouver Sculptors”	Fine Arts Gallery, UBC, Vancouver
1968	“Younger Vancouver Cross Section 68”	Art Gallery of Greater Victoria
1968	“Winnipeg Annual”	Winnipeg Art Gallery
1968	“Canadian Artists 68”	Art Gallery of Ontario, Toronto. Catalogue.
1968	“Spectrum 68”	Vancouver Art Gallery
1967	“B.C. 67”	Vancouver Art Gallery
1967	“Vancouver 5”	Isaacs Gallery, Toronto
1967	“Perspective 67”	Art Gallery of Ontario, Toronto
1967	“Joy and Celebration”	Fine Arts Gallery, UBC, Vancouver
1967	“Birth and Rebirth of Objects”	Fine Arts Gallery, UBC, Vancouver
1967	Canadian Pavilion, Expo 67	Montreal
1966–67	“Crafts”	National Gallery of Canada, Ottawa

Commissions
1973	"Great Wall of 1984"	National Science Library, Ottawa
1972	Public sculpture, "R. Mutt"	City of Vancouver
1970	Sculptural wall mural, "Artifact"	Canadian Pavilion, Expo 70, Osaka, Japan (acquired by Vancouver Art Gallery)

Publications
2009	Book, “Seeking the Nuance: Glaze Experiments of the 60s and 70s from the Ceramic Studios of UBC”	Potter’s Guild of BC, 45 pages
2002	Essay, "Pandora's Box: New Media Art from the 60s and 70s in Vancouver"	in catalogue, Visual Arts Burnaby / Gallery at Ceperley House, Burnaby, BC
2001	Section, “Fragrant Plants”, in “A Growers Choice” by Michael K. Lascelle	Raincoast Books, Vancouver, pp 260 – 263.
2000	'Live at the End of the Century' Essay (Mondo Artie script) on 60's, 70's performance in Vancouver for book on performance art	grunt gallery, Vancouver.
1993	Assistance with editing, "Whispered Art History Twenty Years at the Western Front"	Arsenal Pulp Press, Vancouver
1987	Editor with Annette Hurtig of B.C. section of "From Sea to Shining Sea"	catalogue, Power Plant, Harbourfront, Toronto.
1986	Exhibition essay and notes on 8 artists, “New Video Realities"	Canadian Exhibition, Cologne Art Fair.
1985	Article and photos, "The Mythological Design of the Garden Path"	Section A magazine, Toronto, August 85, Vol. 3, No. 3, pp. 37 - 39.
1983	Three articles on gardens and colour photos	Ville Giardini magazine, October, November and December, 1983 issues, Electa Periodici, Milan, Italy.
1982	Article and photos, "Shrub Art - The Enchanted World of Topiary"	Western Living magazine, Vancouver, May, 1982, pp. 74-75.
1981	Article, “The Japanese Connection”, illust.	Interface Magazine, Edmonton, Calgary, Vancouver, vol.4, no.11, Dec.81, pp. 26-29
1980	“Living Art Performance” catalogue Co-editor with Paul Wong and Kim Tomzck,	Vancouver, Western Front Publication, 90 pages
1979	“Provincial Arts Fundng Study” for ANNPAC Wrote research questionaire
1979	Article and photos , “Gardens Enchanted”	Vancouver Magazine, June issue
1979	"Art and Correspondence From the Western Front" Editor and designer of catalogue for exhibition	Western Front publication Vancouver.
1979	Section entitled "Performance Notes From the Western Front" of book, "Performance by Artists"	Art Metropole, Toronto, pp. 270 -287.
1979	Section entitled, Western Front Mythology”	Unmuzzled Ox, “The Poet’s Encyclodedia”, Vol. 1V, no. 1V/Vol.V, pp. 281-285
1978	Interview, “Glenn Lewis Interviews Dennis Tourbin”	Calgary, Centerfold, Vol.3, no.1, Dec 78, pp. 33-39
1978	Text and photos, catalogue for exhibition, "Bewilderness - The Origins of Paradise"	Vancouver Art Gallery, 64 pages.
1978	Text, "Journey Through an Earthly Paradise"	Impressions Magazine monograph, Toronto, photos by Taki Bluesinger, 34 pages.
1978	Article, “The Value of Parallel Galleries”	Parallelogramme, March
1977	Postcard, "Image Bank Postcard Show"	Image Bank, Vancouver.
1975	Text and illustrations, "Notes From the Little Hot Stove League, New Era Social Club"	Is 17 journal, Eternal Network Press, Toronto.
1975	Editor of script, "Mondo Artie, Episode #1681, Art's Birthday and the Hollywood Deccadance"	Eternal Network Press, Toronto.
1974	Script, “Mondo Artie Episode #1625”	part of Image Bank section in Source Magazine, issue #11, Sacreamento, Ca.
1974	Script, Mondo Artie Episode #1681, Art’s Birthday and the Hollywood Decca Dance	part of an exhibition package, Western Front Publication, Vancouver
1974	Script, “Mondo Artie, Dissolve or Perish, the Von Bonin Dinner”	Fanzini Magazine, “Fanzini Goes to the Movies”, Vancouver
1973	Edition of 25 slides on topiary	Environmental Communications, Venice, Ca.
1973	Two microfiche cards, “Topiary” and “Artist’s Recipes"	Coach House Press, Toronto
1972	73 Various written pieces and photographs	File Magazine, Toronto
1972	Several articles on food	B.C. Monthly Magazine
1972	Section on New Era Social Club	IS 13 Journal, Coach House Press, Toronto for "Image Bank Postcard Show", Coach House Press, Toronto.
1970	Section entitled, "Seashells in the Forest at Storm Bay With Bedroom"	photographic publication, "B.C. Almanack", National Film Board, Ottawa.

Bibliography
2010	Weder, Adele. “to show, to give, to make it be there: In the Beginning, the Word.” Canadian Art, January, 2010. Review of “to show, to give, to make it be there: Expanded Literary Practices in Vancouver: 1954-1969,” last paragraph on Lewis’ correspondence.
2009	Laurence, Robin. “Flakey: The Early Works of Glenn Lewis.” The Georgia Straight, September, 2009, 16-23.
2009	Premont, Charles. Le Lien MULTIMÉDIA 4, Vol. 15, January 12 (2009): 6.
2009	Crevier, Lyne. “Sur le Motif.” Ici 13, Vol. 12, January 15-21 (2009): 43. On Oboro exhibition.
2008	Sandals, Leah. On “A Sweeping Statement.” National Post, October 25, 20.
2009	Bonin, Vincent. “From Image Bank to Morris/Trasov Archive.” Ciel Variable 80, (2009): 45. On “Great Wall of 1984.”
2007	Germain, Georges-Hébert. A City’s Museum A History of the Montreal Museum of Fine Arts. Montreal: The Montreal Museum of Fine Arts, 2007, 131-132.
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2007	Balma, Donna and Kevin Carpenter. Reconciliation: the Life and Work of Donna Balma. Vancouver: Lentis Books, 2007.
2005	Harrod, Tanya. “Portrait of an Artist as a Young Woman Gwyn Hanssen Pigott 1955-2005.” In Gwyn Hanssen Piggot: A Survey. Melbourne: National Gallery of Victoria, 2005, 13.
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2004	Milroy, Sarah. “A license to kiln.” Globe & Mail, March 15, 2004, R3. On “Thrown” exhibition, Morris and Helen Belkin Art Gallery, UBC.
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1979	Viau, Rene. “Vehicule Articule.” Le Devoir, October 6, 1979, 24. Review of “Art and Correspondence From the Western Front.”.
1979	Harrison, A.S.A. “In Pursuit of Paradise on Earth.” MacLean's, February 19, 1979, 8.
1979	Scott, Andrew. “The Groves of Lotusland.” Artweek, Vol. 10, no. 1 (January 6 1979): 3. Review of “Bewilderness - the Origins of Paradise,” Vancouver Art Gallery.
1979	Hlynsky, David, ed. “The Rolling Landscape.” Image Nation 19.20 (January 2 1979).
1978	Racine, Rober. “Festival de Performances du M.B.A.M.” Parachute, Winter, 1978, 43-47. Review of “Visa Vis.”
1978	Scott, Andrew. “Glenn Lewis at the Vancouver Art Gallery.” Georgia Straight, Vol. 12, no. 576 (December 8-15 1978): 22.
1979	Rosenberg, Avis. “Paradise and Politics.” Vanguard, December 1978 – January 1979, 3-5.
1979	Video Guide. November 1978 - January 1979, 10. Review of “We All Sing the Same Song.”
1978	Froehlich, Peter. “Blurbs.” Parachute, Fall, 1978, 5-13. Interview, and review of Montreal Museum of Fine Arts Performance Festival.
1978	Virus International, Montreal, June, 1978, 18. On “Visa Vis.”
1978	Perry, Art. Arts Magazine, no. 38/39 (June 1978): 103-104.
1978	Morris, Michael. “The Artist As Curator of the Imagination.” Artscanada, April/May, 1978, 43.
1978	Freedman, Adele. “Of Time and Language.” Globe and Mail, February 22, 1978, 4. Review of “Visa Vis.”
1977	d'Or, Vic. “Interview with Glenn Lewis.” Only Paper Today, December 1977, 9-11.
1975	Shere, Charles. “Four Days in Vancouver and Victoria.” Artscanada 196/197 (March 1975): 17-28.
1974	Coleman, Victor. Only Paper Today, Vol. 2, no. 3 (November 1974). Interview with Glenn Lewis.
1974	Douglas, Richardson. “National Science Library, Ottawa.” Artscanada 190/191 (Autumn 1974): 58, 59, 64.
1974	Subtle, Susan. “Their Art Belongs to Dada.” Esquire, August, 1974, 53.
1974	Vermette, Luce. “Les Arts a la Bibliotheque Scientifique Nationale.” Vie des Arts 75, Vol. 19, (Summer 1974): 82-83. On “Great Wall of 1984” mural.
1974	Lowndes, Joan. “City by Mural.” Vancouver Sun, March 8, 1974, 13A. On "Vancouver" mural project.
1974	Lowndes, Joan. “Little Boxes … but they don’t look just the same.” Vancouver Sun, March 5, 1974, 35. On National Science Library mural.
1974	Bentley Mays, John. “Ottawa Notebook.” Proof Only, February 22, 1974. Review of mural at National Science Library.
1974	Kritzwiser, Kay. “Think Tulips Instead of Banks of Snow.” Globe and Mail, February 16, 1974, 29. Review of National Science Library mural.
1974	Lowndes, Joan. “Look closely! The art objects go poof.” Vancouver Sun, February 13, 1974, 47. Review of faculty exhibition at Fine Arts Gallery, UBC.
1974	Laliberte, Normand and Alex Mogelon. “Art in Boxes.” Toronto: Van Nostrand Reinholt, 1974, 187, 191, 211.
1973	Bear, Liza and Willoughby Sharp. “Business as Usual at the Western Front.” Avalanche Magazine, Summer/Fall, 1973, 34-39.
1973	Nicolson, Annabel. “Canadada Fragments.” Art and Artists, April, 1973, 29-33.
1972	d’Or, Vic. “The Summer of ’72 The Springing of 1984” Artscanada 174/175, (December/January 1972): 65. On IS. magazine and “Great Wall of 1984.”
1971	Lowndes, Joan. “Sculptor uses gallery for homecoming party.” Vancouver Sun, September 17, 1971, 29.
1971	Lord, Barry. “BC Almanac (H) C-B – At the Photo Gallery of the National Film Board, Ottawa November 1970–January 1971.” Artscanada 152/153 (February/March 1971): 42-45.
1970	Lowndes, Joan. “Lewis’ Forest Industry film a hypnotic experience.” Vancouver Sun, July 3, 1970, 23, 10A. Review of “Forest Industry.”
1970	Simmins, Richard and Michael deCourcy. “8 Closets.” Artscanada 144/145, (June 1970): 35.
1970	Lord, Barry. “The Eleven O'Clock News in Colour.” Artscanada 144/145 (June 1970): 4-9.
1970	Wasserman, Jack. Vancouver Sun, June 1970, 25. Review of “8 Closets” exhibition.
1970	Lowndes, Joan. “Falk, Lewis sculptures keep gallery in touch.”Vancouver Sun, June 18, 1970, 41.
1970	Capper, Ann. “Gisele: 13,000 pounds of art.” Montreal Gazette, May 8, 1970, 1, 3.
1970	Engledink. “Let it Bleed – World worried wart, says Engledink… Intermedia co-opts Yippies Vancouver artist given blushe's rush at Osaka.” Georgia Straight, May 27–June 3, 1970, 7.
1970	Selz, Peter with Alvin Balkind. “Vancouver: Scene and Unscene: A Conceit in Eight Scenes and an Epilogue.” Art in America 1, Vol. 58, (January/February 1970): 123-126.
1970	Townsend, Charlotte. “Art and Building do Relate – It doesn't often happen but it will at Expo 70.” Vancouver Sun, January 30, 1970, 8A. On mural for Canadian Pavilion, Expo '70.
1969	Ginsburg, Susan. “The New Art of Vancouver Newport Harbor Art Museum Newport California. October-November, 1969.” Artscanada 138/139 (December 1969): 56-57.
1969	Lowndes, Joan. “Madness flavors breakfast opening of the Lewis show.” The Province, December 1, 1969, 23.
1969	Townsend, Charlotte. “We Call on Glenn Lewis.” Vancouver Sun, November 21, 1969, 5A. On Expo '70 and The New Art of Vancouver, Newport Harbor Art Museum, Newport, CA.
1969	Garver, Thomas. New Art of Vancouver. Newport: Newport Harbor Art Museum, 1969.
1969	Vancouver Sun, July 21, 1969, 29. Photos of “Floor Piece,” Vancouver Art Gallery.
1969	Johnson, Eileen. “Four Mordant Views Beyond the Funsy Side of Life.” The Province, July 4, 1969, 25. On “Flower Piece,” Vancouver Art Gallery.
1969	Lowndes, Joan. “The new art of Vancouver is getting abroad.” The Province, June 6, 1969, 8.
1969	Barber, James. “Smell of Boredom Is Unmistakable.” The Province, April 3, 1969, 46.
1969	Wall, Jeffrey. “A Show That Poses The Phenomenon of Taste.” The Province, January 24, 1969, 13. Review of group exhibition at Douglas Gallery.
1968	“For These People, 1968 Was A Very Good Year.” Vancouver Sun, December 27, 1968, 4A.
1968	Rosenberg, Ann. “About Art…” Vancouver Sun, October 25, 1968, 9A. Review of “Younger Vancouver Sculptors” at Fine Arts Gallery, UBC.
1968	Lowndes, Joan. “The New Sculpture – a world of smooth plexiglass and readymades and Baxterised wit.” The Province, October 25, 1968, 12. Review of “Younger Vancouver Sculptors” at Fine Arts Gallery, UBC.
1968	Lowndes, Joan. “Mixed bag of prizes reveals a new talent.” The Province, September 30, 1968. Review of “Spectrum 68.”
1968	Rosenberg, Ann. “Juror Turns Gallery Dotty.” Vancouver Sun, September 26, 1968, 42. Review of “Spectrum 68”.
1968	Lowndes, Joan. “Spectrum happening 'turns on' a juror.” Vancouver Province, September 25, 1968, 30. Review of “Spectrum 68”.
1968	Pinney, Marguerite. “Glenn Lewis - The Douglas Gallery.” Artscanada 120/121 (August 1968): 33-34.
1968	Rosenberg, Ann. “About Art... Good Group Art Shows on Wane in Vancouver?” Vancouver Sun, August 2, 1968, 8A. Review of Douglas Gallery exhibition.